Tuesday, December 30, 2008

I'm back. With a list.

I know, much like Pushing Daisies, I seemed to have vanished without a trace. But I'm back. Blame job-hunting, Christmas madness and the lack of anything on TV worth commenting on.

The end of the year brings the inevitable Top 10 (or 20) lists, and they've been done to death, and really, I can't add to them. Like everyone else, I loved The Wire, The Shield, Lost, 30 Rock, blah blah blah. So what I'll offer is this: My 10 favorite, most mind-blowing, most memorable TV moments of the year.

1. Lost: The island disappears. The bad guys are coming, and Ben climbs down into the depths of the island and finds. . . a big switch? And ZAP, just like that, they're gone. What. . . . the . . . . hell? The most stunning moment in a season full of them.

2.The Wire: Omar's demise. It came out of nowhere, a sudden bust of violence from the least likely candidate that was shocking even for a show that made shocking violence commonplace. It's not often a scene makes me bolt upright and shout a Vader-like "Noooooooo!" R.I.P. Omar. You were a bad, baaaad man. In such a good way. And like Vic Mackey (see next), it was the only appropriate way to go out.

3. The Shield: Vic's new job. The series finale was full of heartbreaking and gut-wrenching scenes (Shane's family laid out neatly on the bed, anyone?), but the introduction to Vic Mackey's new workplace was jaw-droppingly awesome. The sight of Vic in an ill-fitting suit, being reminded to put his name on his bag lunch and to be sure to call building services to adjust the thermostat was stunning. The wild beast was finally a caged animal. Or so we thought, until he stuffed his gun into his pants and stormed out of the building in the final scene. A perfect ending.

4. Mad Men: Season finale. I didn't watch the show religiously, but when I caught an episode it never failed to be outstanding. And the finale, from Don's reconciliation with Betty with so much left secret and unsaid, to Duck's power play crumbling as he underestimated Don, to the poignant and reveltory conversation between Peggy and Pete, all taking place with the Cuban Missile Crisis and the possible end of the world looming, was as gripping as anything on TV in 2008.

5. Battlestar Galactica: This is Earth? In a season
full of shocking surprises – Cylons revealed, uneasy alliances, deteriorating mental states – this was the biggie. After all that running around the galaxy for so many years, Earth was finally found. Only it was a scorched, post-apocalyptic landscape. No dialogue – the looks of shock, confusion and disappointment on everyone's faces said it all.

6. Sons of Anarchy: The hit gone wrong. You could see it coming, the plan to kill Opie for his (wrongly) perceived betrayal and the horrible switch between drivers. Opie and his wife switched cars for the most ordinary reason, and because she was driving the wrong car at the wrong time, and because Tig was too cowardly to look his victim in the face before killing him, she died in a drive-by shooting. One of those moments where you know nothing will ever be the same in that show's universe.

7. Top Chef: Season 4 finale. Forget about sourpuss Lisa, this was all about the two consistently best, most personable chefs in the season – Richard vs. Stephanie. It's rare on a reality show to have two such likeable people vying for the win, which only made it all the more nerve-wracking. Richard had an off night, and Stephanie didn't – and she took the victory. I'd eat in either of their restaurants any time.

8. The Office: The dinner party. Finally, a comedy makes the list. This was probably the funniest episode of the year, with Michael & Jan having Jim & Pam and Andy & Angela over for the most awkward dinner party ever. Which, of course, was crashed by Dwight and his babysitter/date. From the stinky candle room to the 3-hour wait for the main course to the teeny tiny plasma TV, this was The Office at its best.

9. Life on Mars: Finale. Technically not a 2008 show, but it aired on BBC America this year, so I'm counting it. After two seasons of wondering if Sam's world exists only in his mind, or if he's a time-traveler, all is revealed – he's been in a coma and it all was a dream. But what was even more shocking was what Sam did next, after waking up and being forced to live in a now-unfamiliar present day. (And don't worry, ABC says they won't end their series the same way, so this shouldn't spoil anything.)

10. Saturday Night Live: Tina Fey as Sarah Palin. Tina Fey single-handedly made SNL relevant again with her spot-on impression of possibly the worst vice-presidential candidate in history. Really, a couple months after the fact, I'll bet more of us remember Fey's skits more than the real thing.

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Friday, December 5, 2008

Flipping Channels

Quick hits, thoughts and news . . .

•TNT premiers its newest show, Leverage, at 10 p.m. Sunday (it'll then move to its regular time of 10 p.m. Tuesdays). Timothy Hutton (the guy who had the crush on a waaaay-too-young Natalie Portman in Beautiful Girls) stars as the ringleader of an Ocean's 11-type crew of con men who only rip off bad guys who deserve it. Sounds good, huh? Actually it was good, the first time I saw it . . . when it was a BBC show called Hustle. Though it doesn't bill itself as such, Leverage is just another Americanized version of a cool British show. Hustle is a stylish, breezy, caper show — similar to Burn Notice —well worth checking out. All four seasons are available on DVD, and you can catch reruns occasionally on AMC. It's almost certainly better than Leverage, and they speak with way cooler accents.

•The demise of Pushing Daisies may be good news for Heroes. But is it already too late? Pushing Daisies creator Bryan Fuller is on the verge of signing a deal to return as an executive producer for Heroes, which he worked on in its brilliant first season. His return won't do much for the current season, which is already mostly written. But maybe he can help next season not suck so badly. The quickly sinking Heroes has already fired two co-executive producers this season, and it was only a month ago that Heroes creator Tim Kring called the show's remaining fans "saps and dipshits." It's not enough to draw back this sap, but the addition of Fuller sure can't make the show any worse.

•Sci Fi Channel this week green-lit 18 episodes of Caprica, a Battlestar Galactice prequel series. The two-hour pilot has been shot, and production on the season will start next summer. Look for the show sometime in 2010. And to quench your BSG thirst between the show's spring finale and Caprica, a standalone move called The Plan will be coming sometime in the interim. Modeled on last year's BSG standalone Razor, The Plan will focus on the Cylons' master plan and will take place between the series' first and second seasons. And starting Dec. 12, Scifi.com will roll out 12 webisodes leading up to BSG's premier on Jan. 16. Personal revelations regarding one character are promised.

•A pair of second-season premiere dates have been announced: The CW's the-devil-made-me-do-it-(no-for-real!) supernatural comedy Reaper will return on March 17, and HBO's Flight of the Conchords, following New Zealand's fourth-most popular comedy/folk band, is back Jan. 18. For a sneak peek at the entire Season 2 debut episode of Conchords, it'll be posted online at Funnyordie.com starting Dec. 17.

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Thursday, December 4, 2008

Coming soon . . .

The fall season's winding down, and it's time to start anticipating the return of the two best remaining shows on TV.

Six weeks to the final chapter of Battlestar Galactica (Jan. 16).



Seven weeks until we're reunited with Lost (Jan. 21.).



I'm starting to get giddy.
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